DHOBI GHAT review: Half - Slice of life cinema

A lazy weekend hello, frEek fellows!

Slice-of-life-cinema, in bollywood has tilted from the extremely schmaltzy genre such as "Life in a Metro" to the gut-wrenching such as "Mumbai Meri Jaan". Kiran "Mrs. Aamir" Rao's directorial debut, "Dhobi Ghaat" promises to be a slice-of-Mumbai-life film like no other. Does it deliver, or does it end up getting "washed up" (Dhobi...washed? get it?). Read on to find out:

Woh Dekh...Critics Award!!

What it is: Dhobi Ghaat, apollogetically publicised as the "the movie without an interval" tells the tale of a reclusive, divorced painter; Arun (Aamir Khan), a slum-teen; Munna (Prateik Babbar) who makes a living doing odd jobs from a Dhobi during the day, to a rat-catcher at night, and an NRI expat; Shai (Monica Dogra) who is on sabbatical in India. In very subtle strokes of circumstance, these characters from differing aspects of life are thrown together. Thrown together in this mix, is the video footage of Yasmin Noor (Kirti Malhotra); which Arun accidentally discovers and becomes intrigued with.

What works: Steering away from the above mentioned cliches, Dhobi Ghaat uses that long lost art of subtlety in telling its tale; Aamir Khan, known for his larger than life portrayals (Lagaan, Mangal Pandey, Ghajini) is refreshing in the role of the reclusive, temperamental artist. Monica Dogra displays earnestness, but the undisputed scene-stealer is Prateik; in his role as the odd-job Munna who lives in a shanty near the railway tracks, but earnestly harbours dreams of being a movie star.

What Doesn't: No Munni, No Sheila, No Interval: NO WAY!!

Rang De Basanti!!

Verdict: Shahrukh Khan in Om Shanti Om delivers a line which goes "Kahani ke end tak sab kuch theek ho jataa hai." Audiences in Bollywood are habituated to seeing a logical (mostly happy) end to their characters. Dhobi Ghaat steers away from this and other from melodramatic cliches, does a brilliant job in character study; while standard Bollywood characters are painted in borad strokes of black or white; Dhobi Ghaat allows each of its characters to display a wide range of emotions - and this is probably its greatest success.

DABANGG - Return of the Man!!!

A Macho hello, freEk fellows!

Wet N' Wild Sallu!

For years, Bollywood cinema was dominated by stock character, the gareeb gaon ki gori, the evil (rich) zamindar/thakur/neta and of course the macho, boorish hero..who smashed the evil zamindar and swooped away the lovely gori all in a days work. When the Johars and Chopras of the world intervened and Bollywood shifted its focus to NRI cinema, where men in Armani wooed women in Gucci and the village background was replaced by the Golden Gate/Venice/Eiffel Tower etc. Finally, after what seems like an eternity, Abhinav Kashyap's "Dabangg" threatens to return the macho hero of yore to his throne in Bollywood; does it succeed? read on...
What works: Dabangg is a rehash of the old gaon-in-distress story that Bollywood overkilled in the 70s-80s. Salman Khan plays Chulbul Pandey a boorish corrupt yet lovable cop who doesn't mind doing his job, as long he gets to make some moolah on the side. A misunderstanding leads to Chulbul seperating from his brother Makhanchand (Arbaaz Khan) and step father Prajapati (Vinod Khanna). Chulbul is also at loggerheads with Chedi Singh played by Sonu Sood. To add some meetha to this masala mix, walks in Rajjo (Sonakshi Sinha) to steal Chulbul's heart. While the plot is nothing new, its the little details that make this movie special. Chedi carries with him in his entourage a photographer, to capture his exploits! Chulbul manages to a dance sequence while bashing goons to a pulp! and yes, Sallu's bhabhi; the sizzling Malaika drops in to gyrate for the new national anthem.."Munni Badnaam"!

Bhala Mera cleavage, aapke cleavage se zyada kaise??

What Doesn't: The plot is old wine, in an older bottle, and actors such as Anupam Kher, Om Puri and Mahi Gill are wasted in slightly incosequential roles. But hey, I am just nitpicking here!

Verdict: Dabangg, rises over the maar-dhaad movies of yore due to one factor, and one factor alone: SALMAN KHAN! Sallu who previously portrayed the muscled buffoon in movies such as Wanted takes Chulbul Pandey a step further, from his tongue in cheek dailogue to his rippling muscles, he brings to screen a character worth remembering for a long time ( seriously in the recent past, after Munnabhai, which other Bollywood character is worth remembering?). The over the top action sequences ( apparently as much time was spent shooting them as a regular movie) and the pulsating movie add to this maar-dhaad-pyaar-vyaar-khichdi! Southern India always acclaimed Rajni as the king of the over the top films, where the hero performs superhuman stunts, passes ribald dialogue and has a laugh with the audience in doing so; with Dabangg, Bollywood has a Rajni of its own!! Critics always complained about Salman's lack of acting skills that put him notches below the acclaimed Aamir Khan, with Dabangg, Salman proves to the world, he may not be much of an actor, but he is the STAR!!

extra frEeky: I have a feeling Dabangg 2 will be upon us soon!!

Salaam Mozart: Salman se Simpson tak!

hellos my frEEk fellows!

The promos of Vipul Shah's London Dreams are currently doing the rounds of our idiot boxes, featuring steroidal Salman Khan, alluring Asin Thottumkal and aggravated Ajay Devgan the movie revolves around

a wannabe Indian rock band in London led by Ajay Devgan, called "London Dreams" Asin plays the lead back-up dancer for this band (did not know rock bands required dancers!) Salman plays a village bumpkin and Ajay's childhood pal with a surprising music talent, which comes to the fore when he travels to London and ends up joining the band.

Jealousy comes to the fore when Salman's popularity with the crowds and with Asin threatens to usurp Ajay as the band's lead. Will talent rise to the fore, or will Ajay's villainous ways succeed in manipulating the naive Salman into ruin? - those my frEEks are answers we cannot provide, what we do recollect is the amazing similarity that the above plotline holds to 1981's

"AMADEUS" directed by Miloš Forman based on the life of Wolfgang Amadeus Mozart starring Tom Hulce as the legendary composer who threatens to upstage the existing court composer Salieri (played by F. Murray Abraham in his Oscar winning performance), mirroring real life,
the movie reveals Salieri's sinister manipulations of Mozart as he convinces the young composer that there are people out to kill him driving him to paranoia, alcoholism and eventual death!

Mozart's legendary tale has not escaped the hands of our favurite animated series the Simpson's and an episode titled Margical History Tour featured a Simpson style retelling of "Amadeus"
the episode featured Bart reprising Mozart's role and Lisa replaying the evil Salieri.
The above clip, features Lisa's Salieri, having done away with Bart's Mozart, returning to the King, only to run into the new composer Ludwig van Beethoven (played by Nelson Muntz)!!

So there you have it my frEEks, the legendary composer has crossed boundaries of geography, medium and language to enthrall us with his everlasting music! a frEEky salute then to his great genius!